Will in the World: How Shakespeare Became Shakespeare by Stephen Greenblatt. W.W. Norton and Co. New York. 2004.
Image: Orson Welles as Macbeth, Jeanette Nolan as Lady Macbeth (1948)
This is a very good read, full of interesting insights into Shakespeare’s life and works, even though it is often limited to speculation because of the scarcity of documentation. A more candid subtitle would be: How Shakespeare might have become Shakespeare.
Since this book has been in print for over a decade, and since it has been reviewed many times, I will only mention one bit that I especially liked. In the chapter on Shakespeare’s marriage, Greenblatt can tell us next to nothing about the sort of relationship that he had with Anne Hathaway, but he makes the claim that nowhere in his plays do we find a happily married couple. There are many pairs of lovers, who at play’s end get married, but we don’t see whether they lived happily ever after. In some cases, Greenblatt says, it seems unlikely or at least questionable that they will.
Among the couples who have been married for a longer time, he finds none who can be said to be faithful, loving and respectful of one another. Usually it is the husband who has other things at the forefront of his mind, like Hotspur in Henry IV, Part I. He loves his wife, but he puts little faith in her loyalty and discretion. I can’t think of a clear exception, but I intend to reread the plays with this question in mind. Meanwhile, he points out that there are two couples who seem strongly attached to each other: Macbeth and Lady Macbeth and Gertrude and Claudius. Strongly attached, apparently fond of each other, but can people so enmeshed in evil of their own making be truly happy?
Greenblatt’s implied explanation is that Will and Anne were unhappy as husband and wife, and there are a few reasons to suspect they at least were not passionately fond of each other. There is, however, another possibility, summed up in Tolstoy’s opening lines of Anna Kerenina: Happy families are all alike; every unhappy family is unhappy in its own way (translated by Constance Garnett). So did Shakespeare not know what happy marriage was like, or did he just find it uninteresting?
If you are looking for a masterful but not overly scholarly literary biography of the Bard, I recommend this one. It might be read along with Park Hogan’s intriguing biography of Shakespeare’s great rival: Christopher Marlowe, Poet and Spy (Oxford University Press 2005).